Home Studio Upgrades

I made a couple of major improvements to my home studio recently and should be current for a few years. The improvements were way overdue, so when I saw some mind-bending deals over the holidays, I pounced. My studio laptop was more than a decade old, and my software didn’t even support plugins. It was time to move on.

I’d only ever used Propellerhead’s Reason music software to make music (and love the product to boot), so moving to Reason 12 was a no-brainer. Not only did it include all the changes since Reason 7 was released in 2013, but the familiar environment would allow me to keep focusing on making music, not learning new software. After reviewing recommended system requirements, I began searching for a laptop.

As had happened more than ten years previously, the HP Envy best fit my laptop needs, so I bought one along with Reason 12. I still use the same audio interface, monitor speakers, and headphones, but I’ve added an extension cable to the latter for reaching into my isolation booth, as well as a USB hub. The Envy delivers great performance and pairs great with Reason 12, and I look forward to spending lots of time with them.

Update on The Jerrys’ New Album

A few weeks into spring, The Jerrys‘ new album is coming along nicely. Writing, playing, and producing a full-length album takes hundreds of hours, but I enjoy the work and the challenges that confront me along the way. I ditched my career to do what I love, and I’m doing what I love more than ever. If one were to say I’m living the dream, I couldn’t disagree.

At least a few tracks have been recorded for each of seven new songs (more songs are planned), and I’ve written titles and lyrics for six of those. Among the new tunes are a James Bond theme song (“Love Me Now and Leave Me Never”), a song about my better half (“Alicia”), and a song about a guy, his girl, and his guitar (“Just Us Three”). The first two are rockers (as is “Lean on Me,” another new track), while the latter recalls the style of The Everly Brothers.

I’ll provide another update on the (as-yet-untitled) Jerrys album in the summer, as well as news on the single that will be released in advance of the album. Until then, there’s a lot more studio work to do. One thing is certain: If anyone has half as much fun listening to the finished album as I’m having making it, it will be The Jerrys’ best effort yet.

Update on The Wind Cries Jerrys EP

The release date for The Wind Cries Jerrys, a six-song effort by The Jerrys, has been moved to early 2018. Originally scheduled to release this month, the EP took more time to record than I’d planned—backing vocals in particular. The good news is that, after recording 43 tracks during the past week, all recording has been completed, and it’s on to mixing and mastering. Here’s the track listing:

  1. Chicago USA
  2. Doo-Doo-Doo-Doo
  3. I Think About You
  4. Ms. Wonderful
  5. Another Glorious Day
  6. Anna Marie

Earlier this year, “Chicago USA” was released ahead of the EP and is available to stream or download. Check it out, and stay tuned for more music from The Jerrys.

Books I Read in 2014

Here are the books I read or reread in 2014:

  • Mixing Secrets for the Small Studio (Mike Senior)
  • The Subterraneans (Jack Kerouac)
  • Journey to Mindfulness (Bhante Henepola Gunaratana)
  • Get More Fans (Jesse Cannon and Todd Thomas)
  • Who I Am (Pete Townsend)
  • Room Full of Mirrors: A Biography of Jimi Hendrix (Charles Cross)
  • The Dhammapada
  • The Recording Engineer’s Handbook, Third Edition (Bobby Owsinski)

10 Things To Do Before Mixing a Recording

10 Things Before Mixing

After reading Mike Senior’s Mixing Secrets for the Small Studio earlier this month, I created a checklist of ten things to do to prepare a recorded song for mixing. My process has always been a bit too haphazard, so I plan to use this checklist to ensure that I never miss an opportunity to make my music sound better.

  • Organize tracks
  • Divide timeline
  • Listen to tracks
  • Identify gems
  • Edit out silences
  • Do multing as needed
  • Adjust timing and tuning
  • Camouflage edits
  • Comp vocals, lead tracks
  • Arrange

As these can be tedious, time-consuming tasks, many top-tier engineers give them to assistants to perform, but that’s not an option for those of us in home studios. If you’re a home studio user, feel free to use this checklist to better prepare your recordings for mixing. For more, be sure to check out Mixing Secrets for the Small Studio.

Akai M-10 Reel-to-Reel Recorder

Akai Reel-to-Reel

My first multitrack recording machine was a used 1969 Akai M-10 reel-to-reel recorder that featured a built-in amplifier and auto-reverse capability. This machine was the only in Akai’s M-series (ca. 1960-1973) to have three motors, and it operated at tape speeds of 1-7/8, 3-¾, and 7-½ inches per second. Before the M-10, I had been using portable General Electric tape recorders to bounce tracks around, so this machine was a nice step up for me.

My Home Recording Setup

Home Recording Setup

Nearly a decade ago, I began using a digital audio workstation of the studio-in-a-box variety to produce the music of The Jerrys. Switching from magnetic tape recording to digital recording transformed the way I made music. In terms of editing alone, digital changed everything.

Fast forward to now. Over the past several months I replaced my workstation with a computer-based home studio. I’ve recorded a few tracks already, and there’s a bit of a learning curve as might be expected. It’s all good, though, as I love learning new things (I’m making progress on a near-daily basis). Without further wait, here are the components that make up my new laptop studio:

HP ENVY dv6-7215nr Notebook PC
For audio recording using a lot of tracks, I needed not only a laptop dedicated to audio recording, but one with some muscle. With a quad-core processor, 8 GB memory, and a 750 GB 7200RPM hard drive, this notebook delivers.

Propellerhead Reason 7
Released in late April, Reason 7 is the latest and the greatest software from Propellerhead. I based my decision to go with Reason solely on the fact that Todd Rundgren used previous versions of Reason to create his last few albums. I needed something that would record guitars well, and if it’s good enough for Todd, it’s good enough for me.

Focusrite Scarlett 2i2
This basic audio interface does an awesome job of getting sounds into and out of my laptop, and as actual sound recording (guitars, vocals, tambourine, etc) is a big part of my music, that’s essential. I especially like the ring LEDs around the knobs that change from green to amber to red to indicate signal and clipping.

microKORG Synthesizer/Vocoder
While I used to think of my microKORG as only an audio device and not a studio component (ie, as only an instrument), it will now also function as a MIDI controller. I’ve never used MIDI in my music, but there’s a lot I can do with it in Reason, and I’m more than open to the possibilities.

Alesis M1Active 320 USB Monitor Speakers
It doesn’t take a George Martin-type to know how good these little speakers sound. You can spend a lot of money on monitor speakers, but I didn’t, and I’m glad, as these work great.

As mentioned, I’ve been recording using the new setup, and so far I love the way everything sounds. I look forward to releasing music that was made with the new studio.