Nothing ever the same
that’s how things go
You’re not even who you
were a picosecond ago
You can’t step in the same
river twice and all that
No past, no future,
now is where it’s at
In the blink of an eye
the morning is noon
One minute it’s March
and next thing
it’s already June
Time and tide wait for no man
and all that biz
No then, no later,
now is all there is and
At the end of the day
time doesn’t know
Who’s still hanging around:
it stays and the people go
Time flies and life’s too short
and all that stuff
Don’t waste your time cause
life is short enough
And everyone knows
My bandmates and I debuted our new live show on November 17 at Mama and Me Pizzeria in Homewood, Illinois. In all, we played 36 songs, including original music going back to Pop Go The Jerrys, as well as covers of songs by Chuck Berry, Herman’s Hermits, David Bowie, the Kinks, and others. In addition to playing a lot of songs live for the first time, we debuted our new drum head.
It was not our first time playing at the venue. On September 28, we played just over an hour after a rousing set by The Big Boppers. That evening, we played mostly original songs, but did include a few covers, including Tommy James and the Shondells’ 1966 hit, “Hanky Panky.” Originals included three songs from The Jerrys’ new six-song EP, The Wind Cries Jerrys: “Chicago USA,” “Ms Wonderful,” and “Anna Marie.” Watch “Ms Wonderful” live at Mama and Me Pizzeria below.
For the record, field-testing of my new Fender American Elite Telecaster guitar is now complete. Not once during the entire show did any string slip out of the nut. My repositioning the string guide to the “1960s Telecaster” position was the simple solution to a big problem. After a proper setup, the guitar should be ready to play for a long time.
Last month I had the opportunity to field-test my new guitar, a black Fender American Elite Telecaster. The Elite is the best guitar I’ve ever owned. The first time I picked it up, I felt as though Fender had made the guitar just for me, perfect in every way. I couldn’t wait to use it at an upcoming show at Mama and Me Pizzeria.
Several songs into our set, however, I noticed that the first string had slipped out of both the nut and the string guide. As my style more closely resembles Pete Townsend’s than Segovia’s, I assumed the fault was mine and placed the string back where it belonged. No biggie—until it happened again. And again. In all, I must have repositioned the string a dozen times that night (it was the only guitar I’d brought). My “perfect” guitar had failed the test.
String Guide Placement
After more research than I care to admit, I concluded that Fender’s factory placement of the string guide did not provide adequate pressure on the string to keep it in the nut, at least for my playing style. In Fenderspeak, the guide had been placed in the “’50s Telecaster” position on the Elite instead of the “’60s Telecaster” position level with the A string tuner. Additionally, the fix seemed like something that even I could do, so I did it.
Since moving the string guide to the ’60s Telecaster position, I’ve played at full throttle, almost daring the string to come out of place. So far, the issue appears to be resolved, and the modification left only a small hole in the headstock where the guide had been originally. Field-testing of the American Elite Telecaster resumes at our next show.
My dad passed away last month, and rather than list facts here—that he was born in Kentucky to a German sharecropper and his wife, that he grew to be a successful man with a wife and six children, etc—I mention his love of music. I am grateful to my dad for many things, but I am most grateful for the love of music that he passed along to me.
In the earliest days of our family, Dad had an electric guitar and amplifier, and he enjoyed playing for fun. We watched Johnny Rivers on television and listened to Duane Eddy records on the stereo, and Dad thought Chuck Berry was the greatest. When I was six, he taught me to play “Secret Agent Man,” “What I Say,” and the Bonanza theme song on guitar, and I played those songs over and over. He sold that guitar one day and never played again, but he bought one for me soon after, and I’ve been playing ever since.
I recall the times Dad drove me and my musical equipment around to practices. I remember him taking a vacation day to watch my band play in a school talent show. I hear him singing as he walked through the house, and when I’m enjoying a tune, I tap my foot like he always did. I think of my dad every day, especially when I play guitar. Life’s better with music. Dad taught me that.
While visiting my brother last month, I played his Gretsch Country Gentleman guitar. For a few seconds, anyway, I felt like George Harrison. Note to self: Next time I visit Todd, be sure to take some Fender medium picks and leave a few there.
Yesterday I heard the new single by The Dandy Warhols for the first time. “Thick Girls Knock Me Out (Richard Starkey)” provides the perfect antidote to what seems to me to be a dormant time for good new music. In addition, the Dandys have created the video I’ve always wanted them to make—no goofy scenes or themes, just great music with the focus on what I consider to be one of the best bands around. March is in like a lion, indeed. I give the band bonus points for mentioning a Beatle in the song title. Give it a listen.
You don’t see a lot of Sears Silvertone amplifiers out in the wild anymore, but there are actually two in this photo from 40 years ago. To the right is the amp I’m playing through, and to the left is a guitar case with a built-in amplifier and speaker. I received the latter for Christmas when I was in the fourth grade.